Drawing of a Moose
I started to learn Big Thief’s “The Only Place” on guitar. It rained heavy all weekend and I kept the window open, though he asked me not to. I'm beginning to find some picture of absolution here.
Lyrics from the band Big Thief

I've finally listened to Dragon New Warm Mountain I Believe in You. Before this, I’d only ever heard one song off the album, and instead of delving further I was content to replay it over and over. So, this was a long time coming.

Now the weekend’s been spent lying on the floor, looking up at the ceiling, listening to the rain as the album plays on a loop. I don't know how to articulate the well of emotion this has created. The words cannot rise to match the feeling. But I try.

My favorites off the album are The Only Place, 12,000 Lines, Heavy Bend, and Sparrow. I saw some people saying they didn't like Sparrow because the lyrics are a little redundant. But it doesn't bother me. Her lyrics are like poetry.

I kept drawing parallels between songs and the story I've been writing. It felt like a little gift; making my own silly meaning.
Lyrics from the band Big Thief
My favorite verse from 12,000 lines. I think of days spent trying to let go, continuing on, seeking comfort from the world. Nights are more difficult. The feeling always comes back.


Lyrics from the band Big Thief
WM.

I remember the first time I heard a Big Thief song. Someone had edited "Simulation Swarm" to play over a video of trail cam footage. Adrienne Lenker's soft voice played while two little deer chased each other in the woods, bounding in the early morning light. It fit with the scene so well it felt like there was no human interposition, that the woods were really alive and dancing to some melody born to it. I read an article about the album that explains it perfectly:
Text from an article about Big Thief
Finding the profound within the ordinary.

WM: Homesickness

She took a step back and watched him. He hadn't changed very much, except for in his eyes. There was something there that was different, some sort of void that hadn't existed before, as if her leaving had taken something from him permanently. The thought made her reach for him, grabbing his hand. She kissed the back of it with tenderness, then cradled it between her own. “You’re older now.” She replied. “Softer, maybe.”

...

He follows behind her, holding the door open as she steps inside. He hangs back and leans against the doorway, unable to cross the threshold of the past.

Shame coils in the center of his chest as he watches her. From outside, he sees himself; all the happy, hurting parts of him. A too small bed frame made of dark oak. Moth-eaten woolen covers, older than she is, once poorly stitched by her hands to cover the holes where his feet would lay. His misshapen pillows, bunched and rolled to bring some semblance of cushion, poisoned by the smell of her.

A vision in front of him now—grown into some person only familiar in passing—he realizes that he had never even tried to let go of her. Despite the years. And he sees with some panic it would've been easier if he had.

She pinches the quilted fabric of the old blanket between her fingers, rubbing and bringing it to her nose to smell. From the window, the newly risen moon casts planes of light across her shoulders. It reflects in the eyes of an old toy, still perched on their windowsill. Tears fall onto the mattress, but not for the first time. He turns away and swallows bile.

Confronted by everything he has ever taken, he thinks: "What more do you want from me?" and hates himself for it.
It’s been several months and I've found a way to settle into a new place of life. It’s difficult, but I’m trying hard to be brave. My mom was righteous with anger enough for the both of us. But I don’t want to be angry. I want to reach my arms out, always, and stay sweet. I want to say I’m sorry and give forgiveness without judgement. I’ll reach out to my friends, tell them how much I love them. I’ll call them on their birthdays and say how special they are. I’ll hug you tight, give you a kiss on the head. Let me push you on the swing, we’ll see how high you can go until we dissolve into laughter. Everything will be okay. I’ll always carry this love for everything around me.

That doesn’t make this easy. For so long, I’ve leaned into the assurance of something solid. But nothing is forever, and the consistency of that will be my new lifeline. I cannot control anything but my own actions. I’ll learn a new song on the guitar, go back to drawing birds and trees, read and lose myself in nature. I’ll learn to be a friend to myself. There are good things around me all the time.

After everything that had happened, I wrote this in my journal:
“I can do it all over. Some form of infinite bond without hurdles; complete devotion.

I’ll carve out the space for myself and crawl inside if I have to. The forest at my feet, drumming against rock and detritus. I could run and run until everything spins and I’m heaving against my knees. Until the world is quiet, smaller, and the trees are leaning towards me.

I’ll accept nothing but my own breath. Nothing but a few pages between my fingernails. I’ll throw everything else into flame — throw my arm against the weight of myself crashing downwards against the rock face.

I’ll take a ride in their truck; sitting in the back seat, an apple dripping down my chin. The warm green of granny smith, of pine and oak above us. The sun will be an ambient copper tone. I’ll be anything, say anything. I’ll be nothing even, if I could only exist there — a calloused hand on the back of my neck. I’ll make somebody proud of me.

I had a dream last night that I was in a house. It was dark outside, and everyone was asleep. I was laying on the couch, and he woke me up and brushed the hair out of my face to place his lips against mine. He held me in his hands, hovering over me, whispering. I kissed him back, melting and hopeful. This made him pull his face away, and when he looked at me I saw that he was smiling with laughter. He whispered “No,” like he was disappointed but knew this about me anyways. I felt small.

I’ve been starving myself, not altogether intentionally. My body some days feels like its shutting down.

I want to try to be better.”

WM: Letters

W.M,
I woke from a dream where you had held me. I felt the impressions of your calluses; the warm scratch of your shaky palms. Your touch was corporeal; earth-toned and textured. I never thought I would find you again.

Do you remember me when I was young? Would you recognize me otherwise?

I laid beneath the Shumard Oak and a sky too big to comprehend. I met you there for the very first time, beneath the broken planes of shadow. The warm air seeped into my pores and turned my blood simmering and pacified, like boiling water left to cool. You looked at me a long time, waiting. I didn't look back, didn't know what was happening until I burrowed a hole in your chest and crawled inside for years.

I would walk up the gravel drive to your front porch, fingers stained red from raspberries I plucked and devoured. The swinging door would squeal open for me and you'd be standing there against the sun, me in the shadow of everything yours. We'd look at each other until one of us crumpled with laughter. Always you first. The edges of your lips would fight at a smile as I scratched a bug bite on my arm.

And I remember you would tell me that I was patient. You said you admired that in me; the constant, quiet contemplation that I shouldered. You told me it was beautiful and I warmed deeply in the light of your praise. To this day, I wear it like a badge. I am patient. I am quiet. I am contemplative. You smiled down at me in a way that said I know you.

When I grew too big, the world saw me emerge and I fell into its slipstream. And here I am; subject to the coursing and the static—untethered. For years I kept begging, “save me, save me”, and from the void I only heard my own voice.

And you are there. Bound and guided by the steady hand of our world, while I am thrust against the undercurrent. My mind cracks against the bluffs, split open and spilling out to be siphoned and consumed.

Let me come back. Let me be simple in our home. I’ll work myself to collapse and sleep under the great sky and wind and mist. Let me run and run, if only so I can look back and see you chasing after me. Then ask me to be kind, ask me to be soft. The world demands something of me that I’ll only ever give to you. In all this space between I’ve learned that I'm nothing without you, not long for a world like this. The string of time is shortening for me, burned over a soft flame. And I’m okay with it all, I’ll find solace when the fringes disappear and my fingers are singed.

You said “Be good for me bug”, and I told myself I'll never be anything but.

Leave the porch light on for me,
-K
15th
“I buried my face in his chest, letting my tears and snot wet the front of his shirt. It felt good to be held. I breathed in his smell, cigarettes and stale body and beer and fresh cut wood, something green. He held me, he was solid, he wouldn’t let me drift away. Talking to me, telling me nobody was going to hurt me. I was a great kid, nothing was going to happen.”
- White Oleander, Janet Fitch

Last night, I dreamt about [redacted]. I dreamt I was close to him; arms around his neck. The sequences of the dream shifted and he was dragging me by my feet through an orange grove, seemingly angry. I woke up upset, that I’ve let it get to this point. I need to let go.

WM
He glances over his shoulder, noticing her hands again. He resists the urge to grab at them as she digs into the edges of her fingernails, drawing blood. “Kid,” He mutters, exasperated.

...

“Yeah, I’m really enjoying myself,” He says, washing a hand over his face, “—Gettin’ around.” He scoffs. “That is when I’m not here, heart beating through my goddamn chest any time a shadow passes on the road. Wakin' up in a panic because I swore I could smell you on the pillow.”
A woman watching as a cowboy disappears into the distance
Slow West, directed by John Maclean

I’m at your stoop again, curled up on the welcome mat. You kept my baby blanket folded up under the window. The hole in your bed sheets is still horribly stitched up. I came home and learned I left a ghost of me to linger over your shoulder while you kept your eyes on the bend.

I’ll say it all to you now. Thank you for letting me borrow your soap. Thank you for softening my vegetables. Thank you for taking the couch. Thank you for stifling your sobs in your sleeve. I promise they didn’t wake me—

You were hunched over, back to me. Mouth pressed to your shoulder. The candle flickered and cast you in a long shadow which hung as a tapestry above it all. You jumped when you saw me, tiptoeing across the floorboards, wiping at your eyes. We were quiet.

“It’s fine.” You said.

“It isn’t.”

“You’ll never know,” You replied. The very first time you weren’t trying to protect me. “—You won’t ever know.”

— thank you for making your coffee quietly. Thank you for staying up for me, and thanks for keeping the porch light on.

Thank you, I’m sorry. I’ll never know. I won’t ever know.
It was a bad day and I kept feeling the worst of everything. I’m still not used to living here. It’s always been easy for me to be vulnerable. I never fought against exposure by reaching for a hand to hold. Now I’m second-guessing myself, and I’m terrified. I never want to lose that.

Writing has been good. I don’t have anything concrete yet, but I feel like there’s a way through now after I’ve been cut up in the underbrush for so long. It’s been a lifeline through everything, definitely.

No Country For Old Men
I sat down and watched this movie again after work. I was feeling off, so I put it on without saying anything. Dad lifted his eyebrows with some disparagement but went back to what we was doing. Halfway through, he was asking me to rewind to parts he missed while he was in the bathroom. “I like Tommy Lee Jones,” he said. “He’s from Texas.”

NCfOM has so many little things about it; things that I want to reach out and touch, to hold in my hands. Wide establishing shots of sky and desert, complex characters with bare-bones dialogue, a tragic everyman, themes of fate… and fatherhood.

I still haven’t read the book even though it’s been on my list for a long, long time. But I’ve heard the book to movie is an almost 1:1 adaptation. This is funny to me because I’ve always felt like the Coen Brothers’ movies were at their best when the endings were already written for them. Regardless, I love that it saws out all the fat and presents itself with clarity, mirroring McCarthy’s style in an exacting way. Everything is stripped down to get to the heart of it all. I love that there is no soundtrack; making it easy to get lost in the world.

It’s predictable of me to include this, but I recently found out in an old interview with Bruce/Neil that Llewelyn somewhat inspired the character of Joel. I can really see it. He has this unexplained yet established competency that makes him a force to be reckoned with. He takes deliberate action and faces problems head-on. He’s a man of few words yet (dubiously) loyal to the people he “protects”, for better or worse. (It makes more sense to me now why I’ve always had a crush on Llewelyn.)
A man in a cowboy hat looks over the plains
"I reckon I go out the way I come in."

The beginning always gives me chills. I love Tommy Lee’s drawl; solemn, stable, and withered. Like an old oak tree, rooted over wide shots of flat plains. This whole monologue inspires me so much.

"The crime you see now, it's hard to even take its measure. It's not that I'm afraid of it. I always knew you had to be willin' to die to even do this job. But, I don't want to push my chips forward and go out and meet somethin' I don't understand. A man would have to put his soul at hazard. He'd have to say: 'O.K., I'll be part of this world.”


Right out of the gate with the theme of the story. Man's will—our structures of justice—are fallible to some new age of evil. Or, so this disgruntled cop is thinking. And its bookended so neatly with the final scene. He looks out across the plains and the sky and tells his wife about his dreams. And you can see in his face he's a resigned man. It has the most beautiful imagery I've ever heard; I want to take it in my palms like cool water.

"Alright then. Two of 'em. Both had my father in 'em. It's peculiar. I'm older now then he ever was by twenty years. So in a sense he's the younger man. Anyway, first one I don't remember too well but it was about meeting him in town somewheres, he's gonna give me some money. I think I lost it.

The second one, it was like we was both back in older times and I was on horseback goin' through the mountains of a night. Goin' through this pass in the mountains. It was cold and there was snow on the ground and he rode past me and kept on goin'. Never said nothin' goin' by. He just rode on past... and he had his blanket wrapped around him and his head down and when he rode past I seen he was carryin' fire in a horn the way people used to do and I could see the horn from the light inside of it. 'Bout the color of the moon. And in the dream I knew that he was goin' on ahead and he was fixin' to make a fire somewhere out there in all that dark and all that cold, and I knew that whenever I got there he would be there. And then I woke up…"


And this conversation between Ed Tom Bell and his brother, Ellis, who says here something that I never want to forget.

“All the time you spend tryin to get back what's been took from you there's more goin out the door. After a while you just try and get a tourniquet on it.”


You have suffering, and here's how to suffer in the face of all that suffering—choosing to fight a losing battle. We’ll find comfort in relinquishment. We can learn to accept anything. Holding on is a choice, but so is letting go…

Or at least that's what I'm taking with me.
A man tugs on his boots on the side of a mountain

I’m battling with something new.

I’ve never been afraid of ending up alone, never doubted that I deserved the people in my life.

Since I could remember, I’ve always reserved hope for solitude. The day would be sent in stasis until the screen door slammed shut. Then suddenly, nothing would seem difficult anymore.

But now, I see that I am reaching always and often. It scares me. I sit and tremble with this unfathomable want. I linger too long on the doorstep, willing to beg if it earned me the shelter of someone’s ribcage. We’re playing pool in the unmarked bar with the cigarette smoke and the blinding lights and all I want to ask is, “Which version of me will you love unconditionally?”

When I was 16, he and I were in the house alone. Everyone else had gone to the beach. I laid on the couch feeling nauseous and he walked up and placed a hand on my head and brushed away the stray hair with his thumb. I replayed it over and over; the simplicity of that simple gesture had fed a part of me that never learned hunger. Now I think: who am I without solid ground beneath my feet? who am I without the weight of being assured?

In order to know myself better, I litter my identity with stories of other people's imaginations. I lock the door to my own suffering. I cannot, I cannot. It’s too scary. I'm not fully equipped to understand myself as I am plainly, truthfully. I am like a gardener with a pair of tweezers; picking at new growths. I ignore the dry tender beneath the surface.

Cat Gif

"redwoods"
I woke up from a dream. The night was still a deep, passionate blue. I was in the back seat; flush against the door. My neck hurt from how we were crammed in together. He was crushed down like a soda can; his head pillowed by my abdomen, torso between my thighs as half of him hung off the seat and piled together in the floor space. He looked like he was in a position of prayer, holding onto the ridges of my pelvis as if I were some totem of last rites. He was trembling.

I wondered if I should wake him up—wondered if I should speak, when he let out a quiet sob and I froze. Wetness tracked the red rawness of my stomach and I closed my eyes and bit my tongue as hard as possible; tasting iron. I’m no longer there in that back cabin. Suddenly I’m gone, way gone. I’m 6 years old and running through misty groves, stains of orange juice on my frock and picking seeds from between my fingers. I am my father’s daughter again. I am holding the hand of someone who protects me. I turn to look back only for a second and disgust earns its way up my throat.

I lose myself in the metronome of the world. I count the pulses in my own head—the electric sound waves of crickets. Anything to drown him out. The urge to cut and run overwhelms me.

No, I think. I am guilty too. I deserve to feel this way.

I remember what he told me that night in Oklahoma, headlights flashing in his eyes. We shared a joint that I hated the taste of. He said “Sometimes, the path we’re on is the only one we were ever meant to walk.”

2022
I was in the kitchen cleaning up when C’s dad came in carrying a guitar case. He set it down on the counter with some effort and a grin. I looked up at him, confused. “For you. Happy Birthday.”

I open the case as he explains how he won it in an auction. It’s an acoustic guitar; well-loved and old but more beautiful for it. I lift it out of the soft lining, eyes roving in awe. It’s submerged with the smell of something heady; oil, dust and wood. The pick-guard is breaking off, and while I run my fingers across the body he offers to help me replace it. He tells me he’d cleaned out the inside and got new strings before making it mine.

I didn’t know what to say. I wasn’t expecting a birthday gift; hadn’t even mentioned how I’d been saving up to buy my own guitar that summer. He said he’d seen the way I looked when everyone’d come over, plucking quietly on the porch with T’s old guitar. He said he’d figured I’d get use out of my own.

I smile but say nothing. I want to ask him: What do you say when thank you isn’t enough; when politeness doesn’t repay the fortune of being seen without words?

It’s unfair, how easily it comes to some but not to others.

“Thank you so much…” I said, my voice wet. He nodded. I gave him a hug, held on tightly. He left me alone.

I took it out that night on the back porch to tune.

A sketch of a deer

Last night, I dreamt that I was walking through the distant part of my old neighborhood. I was wearing my brother’s old clothes — shorts and a t-shirt that swallowed me whole. The sun melted into the tree line, and settled over the homes and asphalt and leaf shadow in a hazy gold. I remember feeling like I could run really fast, like my feet would carry me so that the world would melt into a blur and I’d disappear between the atoms.

I was alone. Everything was quiet except for the sound of the cicadas, droning. A heavy breeze blew my hair back and gave me a feeling as if I was completely unburdened. I felt like a kid. The colors were so vivid to me then.

Lonesome Traveller by Jack Kerouac

 “But in the morning — Sunday, July sixth — I was amazed and overjoyed to see a clear blue sunny sky and down below, like a radiant pure snow sea, the clouds making a marshmallow cover for all the world and all the lake while I abided in warm sunshine among hundreds of miles of snow-white peaks. — I brewed coffee and sang and drank a cup on my drowsy warm doorstep. At noon the clouds vanished and the lake appeared below, beautiful beyond belief, a perfect blue pool twenty-five miles long and more, and the creeks like toy creeks and the timber green and fresh everywhere below and even the joyous little unfolding liquid tracks of vacationists’ fishing boats on the lake and in the lagoons,”

White Oleander by Janet Fitch

 —The nearest I’d come to feeling anything like God was the plain blue cloudless sky and a certain silence, but how do you pray to that?

 —He leaned up against the doorjamb, smoking, looking out at the big pepper tree and his pickup truck in the yard. He sipped his beer, which he held in the same hand as the cigarette, dexterous for a person with two missing fingers. He crinkled his eyes against the smoke as he exhaled out the screen. “He just wants to ball her. Pretty soon he’s gonna tell her to get rid of me, that’s when I get my thirty-eight, teach him a fucking thing or two. Then you’ll see a little Blood of the Lamb.”—

 —He looked at me in a way that made my heart open like a moonflower — his eyes on my face, my throat, my hair over my shoulders, changing color in the TV lights. On TV I saw the white of snow, the wolves hunting in pairs, their strange yellow eyes. I felt like an undeveloped photograph that he was printing, my image rising to the surface under his gaze.

 —In June, true to his promise, Ron rented a cabin in Oregon. —In the forests of the Cascades, we fished in high green rubber boots to our waists. He showed me the fly reel, how to cast like a delicate spell, the glistening steelhead trout like secrets you could place from the water. Claire poured over bird books, wildflower guides, intent on naming, as if the names gave life to the forms. — Or we’d sit in the big meadow, propped up each by our own tree, and Ron played cowboy songs on his harmonica, “Red River Valley” and “Yellow Rose of Texas.” — I dangled my line in the McKenzie, where the sun glittered on the surface between the trees, and the shapes of fish darted deeper, where the trees laid their shadows across the moving water. — I felt at home there, the spectrum of green under a resonant sky ringed by the tall fingers of Jeffrey pine and Douglas fir, a sky you could expect to see drifting with dragons and angels. A sky like a window in a portrait of a Renaissance cardinal. The music of flowing water and the resinous perfume of the evergreens.

 — I took the hammer and whacked the fish in the head. Claire turned away. I knew what she was thinking, that I was siding with Ron, with the world and its harshness. But I wanted that fish. I took out the hook and held it up, and Ron took a picture of me like that. Claire wouldn’t talk to me for the rest of the afternoon, but I felt like a real kid, and I didn’t want to feel guilty about it.

My Absolute Darling by Gabriel Tallent

 — “I wish to hell it had been different,” he says. “I wish you had the person you deserved and not the one you had. But it’s just you and me now, kid.”

 — “Goddamn,” he says, looking intently down into her face. —He is fixed there in the firelight, as if looking down a well. “What are you? What are you, and what is in that little bitch mind of yours?” She just shakes her head, trembling against his restraining hands. He has her head in his grasp as if he can crush it, looking fixedly into her eyes. “What is in that little head of yours?” he says. “And how could I ever know?”

 — She closes her eyes. In the blackness, colors chase across her lids. She can see red adumbrations of the burning trailer. Smears of red and orange. Over everything, the high constant ringing tone. She could keep her eyes closed and lose herself in that monotone. It is emotionless and constant. Martin squeezes her neck and she opens her eyes to him.

 — “There is a terrible inwardness to you,” he says. “Look at you. You are such a goddamn pretty little thing. Your goddamn eyes. I look at them and I don’t see…anything. They say you can look into someone’s eyes and know them, that the eyes are the window to the soul, but I look into your eyes and it’s dark to me, kid. They have always been dark to me. If there is anything in you, it cannot be read, it cannot be known. The truth of you, if it is there at all, exists beyond an unbridgeable and irreducible epistemological gap.”

Epithalamium by Louise Gluck

 — “Here is my hand," he said. But that was long ago. "Here is my hand that will not harm you."

sugar coated
A twin bed, still there though I'm taller now. The dresser—large and immovable. The little matching desk under the window. All from the same furniture store, years and years ago.

A brand new mattress lies on the bed slats, wrapped in plastic like a giant mint. I run my hand over the handmade quilt, folded neatly and tucked beneath my pillow. Some foreboding feeling crawls its way up my spine, settling itself around my shoulders, reminding me of all the time that I have yet to face.

My father helps me unpack boxes. He hangs photos of me from a past life, arranging trophies and cerulean ribbons earned by someone else. He sucks his teeth as he goes; anxious and furious. The folds of his jacket disperse like nerves against his back with a starched rigidity. He’s barely spoken to me since I’ve arrived.

That evening, I sit alone; wind at my back, knees pulled up to my chest. I hear crickets; the faint static of jeopardy from downstairs. My dad fries something in a pan as I count my belongings to the tempo of blood that pounds in my ears.

letter to a friend

Dear W.M,

A great expanse of earth and time stretches between you and I and it is all felt too greatly. You are here and not here. Your absence has shape. It has weight. This is what I try to convince myself, that in this emptiness there exists more than what is. But then I return to knowing what’s real and can no longer convince myself. The pain of loss is immediate. It is real; real and cavernous.

I’m sorry, I can’t speak on it anymore. Truly.

Despite everything, I would hope to see you happy. I envision you reading my letters as I write them. In my mind you are resting now beneath a cottonwood; the sun bakes your surrounds. Beyond your reach, the sun-soaked hills and the rocky mountains and sulphur springs stretch on and on forever. I can smell the spice of yarrow; the dry and resinous sagebrush. I hear the creak of your ankle as you roll it, propped in the dip of your knee. There’s a soft breeze on the back of your neck that cools the sweat there. Everything is okay.

Tell me I’m not far off. Tell me you’re happy, now, in this moment. That you’re the same as I imagine. Tell me that the rot of change has not found its way to your doorstep; has not burrowed in the foothills of our home.

I’m sorry, I don’t mean to sound so harsh. It is not change that I hate. Not the natural change of all living creatures of earth that I would resist with dirt-crusted and bloodied fingernails. I love and treasure it—our making and unmaking. To change would be our cast in this temporal foundry. I would not resist that. No, only that rot which is found in the insatiable wheel of all-consuming desire. The abstract disillusionment of need beyond what is a shady tree, a gentle breeze. A letter from a friend. Tell me you’re safe there and I will rest easily tonight.

What I wish for you, Wes, is nothing. Nothing but what you are already, nothing but what you have. All that our world has provided you from birth; your good health, a tender hand, a moment of respite. In that simplicity, know that you are cupped in the hands of God.

And know that I yearn now for your steadiness. In my dreams I reach for that empty, unravelled roll of life that bleeds together for you. I feel alone in my existence of noise. Here I am misunderstood, Wes. I am transient. I am everything and anything. I exist across worlds, across planes. I exist forever and ever. I am only birthed with the gift of impermanence and everyday I am robbed of it.

I want to hold your hand, to be a friend. I wish to look and to be seen and understood without words. And I want you to look back and to feel the very same in the reflection of my eyes. To exist together and know we are nothing, we are less than nothing. You would wrap me in that quiet and my body—my identity—would tether there forever. I am dying, Wes, and that does not scare me.

It will never abandon us.

I apologize for the deep emotions of this letter, but I know you do not mind. And it means more than you know. I’m thinking of you, and I hope you’re well. Please write back.

Reaching,

- K